Two (2) Adult admission tickets to ARTECHOUSE
Two (2) drinks of your choice at the ARTECHOUSE XR Bar
$5 off your next drinks at the bar
Cannot be combined with additional on-site offers

No availability Saturday, February 14
Located in the heart of Chelsea Market, we invite you to SUBMERGE yourself in 3D-animated dreamscapes, music-inspired visual worlds, and more in our latest exhibition.

Journey into the infinite with Fractal Worlds, a new must-see exhibition created in collaboration with award-winning Dutch fractal artist Julius Horsthuis.
Enjoy savings on admission for a family of four to six, including free creative activities on-site! Plus, kids enter free on Monday, February 16!

No availability Saturday, February 14

















LATTICE originated from a purely technical exploration: an algorithm MHX developed that, when given a mathematical input, would generate a dense, web-like knit structure. This foundational system then evolved into a deeper, more conceptual piece.
By working with procedural system Houdini, he merged the algorithmic structure with a human head figure, a fusion that ultimately came to symbolize the breakdown and reintroduction of a person’s self-perception. The result is a work that is both a technical marvel and a philosophical meditation on identity in the digital age.

“I have always been inspired by real-life data-driven generative artworks from great artists like Refik Anadol.
– MHX
Accessing large amounts of meaningful data is not always as straightforward as one might think, since many great datasets are not publicly available. “


Muhammet Altun, known as Mhx, is a self-taught visual artist and generalist based in Istanbul. His work focuses on 3D generative art and experimental motion design, constructed through procedural systems and simulations. By fusing algorithmic processes with aesthetic storytelling, Mhx creates works that balance fragility with emergence, precision with play.

Woosung Kang’s work is rooted in a unique process: listening to music and imagining the visuals, which he then brings to life using 3D software. This show is a testament to that style, where light and motion respond organically to sound, drawing the audience into a state of deep immersion.
The foundational music was composed by Woosung himself, using it to sculpt the entire visual structure. The most intriguing layer, however, is the incorporation of his past works, repurposed as interstellar DJ set visuals. Spotted on scrapped televisions and monitors, this blending of old and new elements, synchronized with the sound, led to “new and unexpected happy accidents” throughout the creative process.
“ARTECHOUSE is such an amazing place where you can look at the audience’s reaction in immersive space; people are just filming, dancing and taking pictures, and watching their reaction is a truly unique experience that I can’t get out of 2D monitors.”
– Woosung Kang


Woosung Kang is an art director and motion designer based in L.A.. Inspired by music, he crafts impactful visuals across mediums. His work includes visualizers and stage visuals for ODESZA and an Emmy-nominated title sequence for True Detective. Kang is expanding into XR, exploring how immersive content can merge sound, memory, and design into new forms of digital performance.
The artists began the project without much resources, “just conviction and the skills to make about a minute of animation.” Rather than releasing the clip in isolation, Maciej and Emily engineered a ‘Choose Your Own Adventure’ mechanic where, using digital currency, users voted what direction they wanted the story to take.

These decisions were more than opinions. Viewers were turned into not just fans, but active producers, directly connected to the development of the story in real-time.
As each chapter was released, fans voted, waiting months for the next installation as the story developed in real-time.
This innovative participatory model allowed the artists to allocate the tokens staked to actual production costs, facilitating the creative process without the reliance on a big studio.

“White Rabbit began as a proof of concept — not just for a film, but for a new way of creating…Three years later, we have a fully crowdfunded, grassroots film that never would’ve existed if we’d gone the traditional route.”
– Emily Yang (pplpleasr) + Maciej Kuciara

Maciej Kuciara is a Polish artist and director whose two decades in visual storytelling span concept art, animation, and world-building for The Last of Us, Spider-Man: No Way Home, Guardians of the Galaxy Vol. 3, and more. He co-directed White Rabbit, an Emmy award-winning anime, as well as films such as MECHA and Linkin Park’s “Lost”.

Emily Yang, professionally known as pplpleasr, is a multidisciplinary artist and technologist whose work bridges anime, video games, and traditional Asian art. A Forbes 30 Under 30 honoree, Yang co-directed the Emmy award-winning anime, White Rabbit, and has collaborated with the likes of Kering, Sotheby’s, Steve Aoki, and Vogue.

Available daily, our new VIP ticket ($45) includes:
❖ Flexible Entry: No rushing needed; Visit at any time on your selected date, seamlessly fitting ARTECHOUSE into any and every itinerary!
❖ Merch Freebie: Remember your visit with a complimentary mini merch item to represent your love for art + tech wherever you go.
(Selected item may vary by location)
❖ Complimentary Snack: Sweet or salty, indulge during your visit with an included snack of your choice.
❖ 50% Off at the XR Bar: Exclusive to VIP ticket holders, all drinks are half-priced up to two beverages.

Dive into twelve hypnotic worlds created by leading digital artists from around the world in this record-breaking showcase powered by decentralized technology.
Explore hidden dimensions in the largest fractal art exhibition ever created. Spanning 26,000 square feet and dozens of installations, uncover the architecture of awe.
