Refik Anadol on the Renaissance of Digital Art
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Known for his “data paintings” and immersive AI installations, Anadol reflects on the debut of Zero 10, a new sector at Art Basel dedicated exclusively to digital and new-media art.
Artist Refik Anadol has long been a pioneering voice in the digital art world. ARTECHOUSE’s relationship began with him in 2019, serving as the physical platform for his U.S. exhibition debut.
Now six years later, Anadol has gone on to exhibit in the world’s most prestigious venues, such as the Museum of Metropolitan Art.
During Art Basel 2025, we spoke with him about his perspective on the launch of Zero 10, Art Basel’s first dedicated space to art created through technology.
Here’s what he had to say:
I’m so excited to be here. It was four years ago when we did the first experience in Miami Beach, and then with ARTECHOUSE, our show. So coming back all the way to Miami with digital art is amazing.
At Zero 10, I’ve seen lots of these incredible works appear on social media a few weeks ago, but to be here, physically experiencing the work not just on social media, is amazing.
We are physically celebrating the work of digital art. And I believe we are right now in the digital art renaissance. Digital art is no longer something in the corner. It’s not something just there on a TV.
It isn’t ignorable anymore. That feeling of it, the acceptance, to be a part of it naturally, and finally to feel all of the artists uniting around the movement… it’s an amazing moment.
– Refik Anadol, Art Basel 2025
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Refik Anadol on the Renaissance of Digital Art
Watch Now Known for his “data paintings” and immersive AI
